The new Designers Edition Swatch Book contains the entire LEE Filters lighting gel range in chromatic groupings. There is also a handy numeric lookup at the back allowing you to search...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
The LEE100 0.6 (2 Stop) Neutral Density Soft Grad has a smooth gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE100 0.6 (2 Stop) Neutral Density Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
ClearLEE Filter Wash in this economic 50ml pump, when combined with the ClearLEE Filter Cloth (available separately) gives you everything you need in order to safely clean your filters. A...
Based on over 25 years of filter holder experience, extensive customer feedback and product testing, the LEE100 Filter Holder has been developed to make the experience of using filters quicker and...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
SW150 Screw-In Lens Adaptors allow the SW150 System to be used on many different lenses, not just ultra-wideangle. This enables you to use your SW150 filters across your lens collection. This...
The LEE100 0.9 (3 Stop) Neutral Density Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any...
LEE 202 Half C.T.Blue Lighting Gel. Converts tungsten (3200K) to daylight (4300K). Full technical specifications for 202 Half C.T. Blue can be found here Manufactured in the following sizes; Half...
LEE 206 Quarter C.T.Orange Lighting Gel. Converts daylight (6500K) to tungsten light (4600K). Full technical specifications for 206 Quarter C.T.Orange can be found here Manufactured in the following sizes; Half...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
LEE 010 Medium Yellow Lighting Gel. A pure bright yellow. Great for special effects and accents. Use with caution in acting areas. Full technical specifications for 010 Medium Yellow can be...
Original LEE Filters 105mm Circular Polariser screw-in is designed for the 100mm Foundation kit holder, 105mm Front holder Accessory ring is required to attach it - found here. This filter can...
LEE Zircon for LED Correction Lighting Gel Pack. Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. This pack contains an extensive toolkit to...
LEE Colour Magic Studio Plus Lighting Gel Pack. The Colour Magic Studio Plus Pack features a range of technical filters for fine control of light sources. The pack includes 2...
The LEE100 Polariser is thin and lightweight, designed to make attaching and using a polarising filter quick and simple. Constructed using a new lightweight, high-transmission polariser glass, with a subtle...
Your filters will always be at your fingertips, thanks to a design that features three strap options: an over-the-shoulder strap, a belt loop, or a tripod strap. Holding up to...
Your filters will always be at your fingertips, thanks to a design that features three strap options: an over-the-shoulder strap, a belt loop, or a tripod strap. Holding up to...
The LEE100 lens caps (100mm) allows you to leave the adaptor ring attached at all times while keeping the front element clean and safe. These caps are made of white...
LEE Colour Magic Saturates Lighting Gel Pack. The Colour Magic Saturates Pack features a selection of strong and vibrant colours for more intense colour combinations. The pack includes 1 x...
LEE 280 Black Foil wrap is used to reduce unwanted light spill or to control unwanted light reflection. Available in 3 sizes: 7.62m x 0.9m (25' x 36") 7.62m x...
The 150x150mm Square Polarizer for the LEE SW150 System slots into the SW150 filter holder where it can be rotated to the desired angle. If using with a ND Grad you should position the grad first and...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
LEE 444 Eighth C.T.Straw Lighting Gel. Converts 6500K to 5700K – daylight to tungsten light with a yellow bias. Full technical specifications for 444 Eighth C.T.Straw can be found here...
LEE 063 Pale Blue Lighting Gel. Cool front light wash, good for creating an overcast look for cold weather. Full technical specifications for 063 Pale Blue can be found here...
LEE 111 Dark Pink Lighting Gel. Good for cyclorama lighting.
Full technical specifications for 111 Dark Pink can be found here
Produced in rolls: 1.22m x 7.62m
LEE 184 Cosmetic Peach Lighting Gel. A warm highlight or front light; complimentary for most skin tones. Full technical specifications for 184 Cosmetic Peach can be found here Manufactured in the...
LEE 009 Pale Amber Gold Lighting Gel. Perfect warm front light for any skin tone. Full technical specifications for 009 Pale Amber Gold can be found here Manufactured in the following sizes;...
LEE 090 Dark Yellow Green Lighting Gel. Highlighting for forest effects. Full technical specifications for 090 Dark Yellow Green can be found here Manufactured in the following sizes; Half Sheet - 0.53m x...
LEE 103 Straw Lighting Gel. Pale sunlight through a window and a good warm winter effect. Full technical specifications for 103 Straw can be found here. Manufactured in the following sizes; Half...
LEE 141 Bright Blue Lighting Gel. Very dramatic when used as moonlight. Full technical specifications for 141 Bright Blue can be found here Manufactured in the following sizes; Half Sheet - 0.53m...
LEE 196 True Blue Lighting Gel. Great for moonlight effect. Full technical specifications for 196 True Blue can be found here. Available in the following sizes; Half Sheet - 0.53m x 0.61m...
LEE 651 HI Sodium Lighting Gel. Used on tungsten to create a High Pressure Sodium look. Full technical specifications for 651 HI Sodium can be found here Manufactured in the following...
LEE 443 Quarter C.T. Straw Lighting Gel. Converts 6500K to 5100K - daylight to tungsten light with a yellow bias. Full technical specifications for 443 Quarter C.T. Straw can be found here....
Brass spring clip assembly for the older style 100mm Foundation Kit Holder.
Designed to clip the holder firmly onto the adaptor ring.
Consists of:
Wedge
Pin
Nut/screw
Spring
LEE 414 Highlight Perforated Flexi Frost Diffusion Gel . A combination of both direct and soft diffused light. A useful diffuser without too much light loss in a thick form....
The new Zircon Edition Swatch Book contains samples of the entire LEE Filters Zircon lighting gel range. Fine-tune your LEDS with this handy, pocket sized sample listing is a must have for...
The Seven5 System Pouch (Green) holds a Seven5 Filter Holder, Polariser and up to 8 Filters. The pouch is made from a tough and durable fabric that stands up to...
LEE 502 Half New Colour Blue Lighting Gel. Used as a light correction in the new colour blue series. Full technical specifications for 502 Half New Colour Blue can be found here....
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
LEE 410 Opal Frost Roll Lighting Gel. A weak diffusion used for softening spotlight beam edges without altering shape. Manufactured on a 23 micron polyester base. Full technical specifications for 410...
LEE Zircon for LED Warm LED Lighting Gel Pack. Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. The Zircon Warm Amber filters in...
Unleash your inner landscape photographer with the NEW LEE100 ProGlass 1.2 (4 Stop) Neutral Density Medium Grad Filter. Its moderate gradation and high optical quality let you control exposure across the...
Unleash your inner landscape photographer with the NEW LEE100 ProGlass 0.9 (3 Stop) Neutral Density Hard Grad Filter. Its tight gradation and high optical quality let you control exposure across the...
Unleash your inner landscape photographer with the NEW LEE100 ProGlass 0.6 (2 Stop) Neutral Density Hard Grad Filter. Its tight gradation and high optical quality let you control exposure across the...
Unleash your inner landscape photographer with the NEW LEE100 ProGlass 0.6 (2 Stop) Neutral Density Medium Grad Filter. Its moderate gradation and high optical quality let you control exposure across the...
This is the individual 6.6" X 6.6" LEE ProGlass CINE IRND 2.1ND (7 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all...
This is the individual 6.6" X 6.6" LEE ProGlass CINE IRND 1.5ND (5 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all...
This is the individual 6.6" X 6.6" LEE ProGlass CINE IRND 1.8ND (6 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all...
This is the individual 6.6" X 6.6" LEE ProGlass CINE IRND 0.9ND (3 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all...
This is the individual 6.6" X 6.6" LEE ProGlass CINE IRND 1.2ND (4 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all...
This is the individual 6.6" X 6.6" LEE ProGlass CINE IRND 0.3ND (1 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all...
This is the individual 6.6" X 6.6" LEE ProGlass CINE IRND 0.6ND (2 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all...
LEE 281 Three Quarter C.T. Blue Lighting Gel. Converts tungsten to daylight. Full technical specifications for 281 Three Quarter C.T. Blue can be found here. Available in the following sizes; Half Sheet - 0.53m x...
LEE 210 .6ND 2 Stop Neutral Density Lighting Gel. Reduces light 2 stops, without changing colour. Full technical specifications for 210 .6ND can be found here Manufactured in the following...
The LEE100 0.3 (1 Stop) Neutral Density Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The Deluxe Kit is a comprehensive collection to give you total control in nearly all photographic situations. With 3 x ND grads, a Polariser and a Big Stopper, you have...
The LEE85 Discover Kit is the simplest way to get started if you enjoy the portability of a compact system camera but want to start experimenting with the creative power...
The Landscape Kit is an excellent starting point for landscape photography, with a filter holder and one filter. The Landscape Kit contains both the new LEE100 Holder and the most useful first...
The Long Exposure Kit is everything you need for a perfect introduction to the addictive world of long exposure photography. It includes both the Little and Big Stoppers for complete exposure...
The Big Stopper is a long exposure filter that reduces the amount of light entering your lens by 10 stops. By greatly extending exposure times, the Big Stopper has the...
Your filters will always be at your fingertips, thanks to a design that features three strap options: an over-the-shoulder strap, a belt loop, or a tripod strap. Holding up to...
Your filters will always be at your fingertips, thanks to a design that features three strap options: an over-the-shoulder strap, a belt loop, or a tripod strap. Holding up to...
The Seven5 System Pouch (Black) holds a Seven5 Filter Holder, Polariser and up to 8 Filters. The pouch is made from a tough and durable fabric that stands up to...
Combining a 50ml ClearLEE Filter Wash and a special microfibre cloth, this gives you everything needed to ensure your filters clean. A dirty filter can cause areas of softness in your...
This is a special LEE100 System adaptor ring for Olympus 7-14mm Pro f2.8 ultra-wide zoom lens. This ring has been specifically designed to fit this popular lens. The adaptor consists of a...
The LEE100 Tandem Adaptor allows two LEE100 holders to be joined together and rotate independently from each other.Joining two holders together allows photographers to independently rotate each holder. This means...
The LEE100 Hood is a self-supporting lens hood, enabling photographers and videographers to shade the lens from glare and direct or off-angle light. Working intuitively with the LEE100 Holder, the LEE100...
The Develop Kit is for those looking to develop their photography with creative long-exposures and effective contrast control. This kit includes a Big Stopper to control exposure as well as...
The LEE85 Aspire Kit is for aspiring professionals using smaller bodied cameras, who need to manage contrast and exposure in different lighting conditions. With two ND grads and a Big...
The LEE85 Deluxe Kit contains everything you need for creative photography on a smaller bodied camera. Whether you need to balance the exposure between sky and foreground, eliminate distracting reflections...
Whether you shoot film or digital, ‘Inspiring Professionals’ is the only guide to using filters you’ll ever need. This high-quality print, hardback book is produced by LEE Filters, with contributions...
Inspiring Professionals 2 is beautifully designed and lavishly illustrated hardback book, with photographs that demonstrate the creative potential of filters around the themes of Buildings, Coast, Handheld and Travel, Mountains,...
LEE Colour Effect Lighting Gel Studio Pack The Colour Effects Studio Pack contains a selection of saturated effect colours for use on backgrounds and for accent lights. In addition to...
LEE Colour Magic Original Lighting Gel Pack. The Colour Magic Original Pack allows you to create 50 colours from just 12. The pack includes 1 x sheet of each colour...
LEE Colour Magic Arc Correction Lighting Gel Pack. The Colour Magic Arc Correction Pack contains a selection of technical filters for colour correction. The pack includes 1 x sheet of...
LEE Colour Magic Complementary Lighting Gel Pack. The Colour Magic Complementary Pack is a good starter pack for exploring the basics of colour addition and subtraction. The pack includes 1...
LEE Colour Magic Light Tints Lighting Gel Pack. The Colour Magic Light Tints Pack features paler shades to give more subtle effects and to filter white light from the lamp....
LEE Colour Magic Studio Lighting Gel Pack. The Colour Magic Studio Pack features a range of technical filters for basic light source control. The pack includes a sheet of each...
LEE Colour Magic Tint Lighting Gel Pack. The Colour Magic Tint Pack features lighting filters which complement the Original Colour Magic pack to create alternative shades. The pack includes 1...
LEE Cosmetics Studio Lighting Gel Pack. The Cosmetics Studio Pack contains a selection of our ever-popular range of cosmetic filters, used to enhance skin tones while simultaneously softening the light....
LEE Diffusion Studio Lighting Gel Pack. The Diffusion Studio Pack features a selection of our most popular diffusion materials used to create a wide variety of effects ranging from a...
LEE Daylight to Tungsten Studio Lighting Gel Pack. The Daylight to Tungsten Studio Pack features a selection of colour temperature orange (CTO) filters used to convert electronic flash or daylight...
LEE Pro Pack Lighting Gels. This Lighting Pro Pack consists of 24 specially selected lighting filters. Sheet size: 610mm x 530mm (24" x 21") 15 colour effect filters used for...
LEE Reflector Pack. The Reflector Pack contains 8 sheets each of lighting reflectors. These reflectors can be used as they are or mounted on polystyrene or board for added rigidity. They...
LEE Tungsten to Daylight Lighting Gel Studio Pack. The Tungsten to Daylight Studio Pack features a selection of colour temperature blue (CTB) filters used to convert tungsten lights to daylight...
LEE Zircon for LED Cool LED Lighting Gel Pack. Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. The Zircon Cool Blue filters in...
The SW150 Light Shield is an integral part of the SW150 Mark II System. However, now users who already own the SW150 Mark I can retrofit the Lightshield to their existing filter holder. With the...
This is the individual LEE ProGlass CINE IRND 0.3ND (1 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all cinematographers — whether...
This is the individual 4" X 5.65" LEE ProGlass CINE IRND 0.6ND (2 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all...
This is the individual 4" X 5.65" LEE ProGlass CINE IRND 0.9ND (3 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all...
This is the individual 4" X 5.65" LEE ProGlass CINE IRND 1.2ND (4 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all...
This is the individual 4" X 5.65" LEE ProGlass CINE IRND 1.5ND (5 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all...
This is the individual 4" X 5.65" LEE ProGlass CINE IRND 1.8ND (6 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all...
This is the individual 4" X 5.65" LEE ProGlass CINE IRND 2.1ND (7 stop) filter. LEE ProGlass CINE IRND filters have been designed to meet the exacting needs of all...
LEE 273 Soft Silver Reflector Roll. Produces soft reflection. White backed. LEE Reflectors are used to bounce light with either a hard or soft reflection. These reflectors are ideal for filling...
LEE 220 White Frost Lighting Gel. Used for soft light effects. Flame retardant. Full technical specifications for 220 White Frost can be found here The LEE Filters Diffusion Index (LDI)...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
** NEW ** LEE Compact 2ft wide rolls Developed by LEE to provide a flexible choice to content creators, we are now offering our most popular technical and diffusion filters in a...
** NEW ** LEE Compact 2ft wide rolls Developed by LEE to provide a flexible choice to content creators, we are now offering our most popular technical and diffusion filters in a...
** NEW ** LEE Compact 2ft wide rolls Developed by LEE to provide a flexible choice to content creators, we are now offering our most popular technical and diffusion filters in a...
** NEW ** LEE Compact 2ft wide rolls Developed by LEE to provide a flexible choice to content creators, we are now offering our most popular technical and diffusion filters in a...
** NEW ** LEE Compact 2ft wide rolls Developed by LEE to provide a flexible choice to content creators, we are now offering our most popular technical and diffusion filters in a...
** NEW ** LEE Compact 2ft wide rolls Developed by LEE to provide a flexible choice to content creators, we are now offering our most popular technical and diffusion filters in a...
** NEW ** LEE Compact 2ft wide rolls Developed by LEE to provide a flexible choice to content creators, we are now offering our most popular technical and diffusion filters in a...
** NEW ** LEE Compact 2ft wide rolls Developed by LEE to provide a flexible choice to content creators, we are now offering our most popular technical and diffusion filters in a...
** NEW ** LEE Compact 2ft wide rolls Developed by LEE to provide a flexible choice to content creators, we are now offering our most popular technical and diffusion filters in a...
** NEW ** LEE Compact 2ft wide rolls Developed by LEE to provide a flexible choice to content creators, we are now offering our most popular technical and diffusion filters in a...
** NEW ** LEE Compact 2ft wide rolls Developed by LEE to provide a flexible choice to content creators, we are now offering our most popular technical and diffusion filters in a...
LEE 701 Provence Lighting Gel. The colour of the lavender fields of the South of France. A redder version of 180 for use on cameras balanced to tungsten sources. Available in...
LEE 718 Half Shanklin Frost Lighting Gel. 202 with frost to soften the beam of profile units. Full technical specifications for 718 Half Shanklin Frost can be found here. Available in...
LEE 727 QFD Blue Lighting Gel. A special version of 729 Scuba Blue which is good for backlighting and swimming pool effects. Full technical specifications for 727 QFD Blue can be found...
LEE 740 Aurora Borealis Green Lighting Gel. Primary jungle colour. Removes some red and blue. Works best with daylight bulbs. Sodium lamp effect. Full technical specifications for 740 Aurora Borealis Green...
LEE 742 Bram Brown Lighting Gel. Dirtier than 156 Chocolate, good for skin tones. Dims well and doesn`t go pink at low light levels. Full technical specifications for 742 Bram Brown can...
LEE 746 Brown Lighting Gel. To give a murky, dirty feel to tungsten. A darker, less pink chocolate. Full technical specifications for 746 Brown can be found here. Available in the following sizes; Half...
LEE 773 Cardbox Amber Lighting Gel. Warm tint for skin tones. Full technical specifications for 773 Cardbox Amber can be found here. Available in the following sizes; Half Sheet - 0.53m...
LEE 779 Bastard Pink Lighting Gel. Deep sunset. Useful on dark skin tones. Full technical specifications for 779 Bastard Pink can be found here. Available in the following sizes; Half Sheet - 0.53m...
The original and world-renowned LEE Filters Big Stopper, conveniently re-imagined in 77mm screw in form. Designed to produce minimal to zero vignetting, even with very wide-angle lenses, the LEE Elements...
Designed for photographers and videographers alike, who insist on quality and performance, this new LEE Elements Variable ND Filter is available in convenient 67mm screw in form, allowing users to achieve 2-5...
To support the launch of the new Nikon/NIKKOR Z 14-24mm f2.8 S lens, LEE Filters are proud to announce the award-winning LEE100 filter system’s latest addition. - A physically larger...
Dedicated slot-in filter adaptor frame, designed to allow LEE100 100x150mm resin filters to be used with the new Nikon/NIKKOR Z 14-24 f2.8 S Holder Kit.
Filter not included.
Dedicated slot-in filter adaptor frame designed to allow LEE100 100x100mm filters to be used with the new Nikon/NIKKOR Z, 14-24 f2.8 S Holder Kit. For use with 100mm standards and...
Virtually identical to the standard LEE100 Little Stopper, this foamless version is designed for use with the new Nikon/NIKKOR Z 14-24 f2.8 S Holder Kit. The foamless stopper omits the foam...
Virtually identical to the standard LEE100 Big Stopper, this foamless version is designed for use with the new Nikon/NIKKOR Z 14-24 f2.8 S Holder Kit. The foamless stopper omits the foam light...
This value-for-money set comprises the LEE durable carry/storage pouch, which has three internal slots to house the new Nikon/NIKKOR Z 14-24 f2.8 S Holder, plus two filter adaptor frames with...
The original and much-loved LEE Filters Little Stopper, conveniently re-imagined in 67mm screw in form. Designed to produce minimal to zero vignetting, even with very wideangle lenses, the LEE Elements Little...
The original and much-loved LEE Filters Little Stopper, conveniently re-imagined in 72mm screw in form. Designed to produce minimal to zero vignetting, even with very wideangle lenses, the LEE Elements Little Stopper...
The original and much-loved LEE Filters Little Stopper, conveniently re-imagined in 77mm screw in form. Designed to produce minimal to zero vignetting, even with very wideangle lenses, the LEE Elements Little Stopper...
The original and much-loved LEE Filters Little Stopper, conveniently re-imagined in 82mm screw in form. Designed to produce minimal to zero vignetting, even with very wide angle lenses, the LEE Elements Little...
The original and world-renowned LEE Filters Big Stopper, conveniently re-imagined in 67mm screw in form. Designed to produce minimal to zero vignetting, even with very wide-angle lenses, the LEE Elements...
The original and world-renowned LEE Filters Big Stopper, conveniently re-imagined in 72mm screw in form. Designed to produce minimal to zero vignetting, even with very wide-angle lenses, the LEE Elements...
The original and world-renowned LEE Filters Big Stopper, conveniently re-imagined in 77mm screw in form. Designed to produce minimal to zero vignetting, even with very wide-angle lenses, the LEE Elements...
The new LEE Elements Circular Polariser filter provides all of the performance and functionality of our existing clip-on rotating circular polarisers, but in convenient 67mm screw in form. Fully adjustable to...
The new LEE Elements Circular Polariser filter provides all of the performance and functionality of our existing clip-on rotating circular polarisers, but in convenient 72mm screw in form. Fully adjustable to...
The new LEE Elements Circular Polariser filter provides all of the performance and functionality of our existing clip-on rotating circular polarisers, but in convenient 77mm screw in form. Fully adjustable to...
The new LEE Elements Circular Polariser filter provides all of the performance and functionality of our existing clip-on rotating circular polarisers, but in convenient 82mm screw in form. Fully adjustable to...
Designed for photographers and videographers alike, who insist on quality and performance, this new LEE Elements Variable ND Filter is available in convenient 72mm screw in form, allowing users to achieve 2-5...
Designed for photographers and videographers alike, who insist on quality and performance, this new LEE Elements Variable ND Filter is available in convenient 77mm screw in form, allowing users to achieve 2-5...
Designed for photographers and videographers alike, who insist on quality and performance, this new LEE Elements Variable ND Filter is available in convenient 82mm screw in form, allowing users to achieve 2-5...
Designed for photographers and videographers alike, who insist on quality and performance, this new LEE Elements Variable ND Filter is available in convenient 67mm screw-in form, allowing users to achieve 6-9 stops...
Designed for photographers and videographers alike, who insist on quality and performance, this new LEE Elements Variable ND Filter is available in convenient 72mm screw-in form, allowing users to achieve 6-9 stops...
Designed for photographers and videographers alike, who insist on quality and performance, this new LEE Elements Variable ND Filter is available in convenient 77mm screw-in form, allowing users to achieve 6-9 stops...
Designed for photographers and videographers alike, who insist on quality and performance, this new LEE Elements Variable ND Filter is available in convenient 82mm screw-in form, allowing users to achieve 6-9 stops...
Using an existing 105mm LEE Filters polariser with the new LEE100 Filter Holder is easy. Simply screw the filter into the new 105mm clip–on polariser ring and leave it in...
The Super Stopper is a long exposure filter that reduces the light entering your lens by 15 stops. It gives the photographer an opportunity to shoot during the middle of...
The Little Stopper is a Long Exposure filter that reduces the light entering your lens by six stops. It is ideal for those low-light conditions at the beginning and end...
A set of 3 Neutral Density Graduated filters for the LEE100 system, with a Soft edge transition. Ideal for photography under canopies in woodland or where you have no definite horizon....
A set of 3 Neutral Density Graduated filters for the LEE100 system, with a hard edge transition. Ideal for photography where you have a definite horizon and some sky in...
A set of 3 Neutral Density Graduated filters for the LEE100 system, with a Medium edge transition. The perfect all-rounders for general landscape photography, these Medium edge grads will improve your...
A set of 3 Neutral Density Graduated filters for the LEE100 system, with a Very Hard edge transition. Ideal for seascapes and any images with a very definite, flat horizon. Filter...
The Big Stopper is a long exposure filter that reduces the light entering your lens by 10 stops. By greatly extending exposure times, the Big Stopper has the effect of allowing...
The Super Stopper is a long exposure filter that reduces the light entering your lens by 15 stops. It gives the photographer an opportunity to shoot during the middle of...
The Little Stopper is a Long Exposure filter that reduces the light entering your lens by six stops. It is ideal for those low-light conditions at the beginning and end of the day...
A set of 3 Neutral Density Graduated filters for the SW150 system, with a soft edge transition. Ideal for photography under canopies in woodland or where you have no definite horizon. ND Filter...
A set of 3 Neutral Density Graduated filters for the SW150 system, with a hard edge transition. Ideal for photography where you have a definite horizon and some sky in the image....
A set of 3 Neutral Density Graduated filters for the SW150 system, with a medium edge transition. The perfect all-rounders for general landscape photography, these Medium edge grads will improve your images in...
A set of 3 Neutral Density Graduated filters for the SW150 system, with a very hard edge transition. Ideal for seascapes and any images with a very definite, flat horizon. ND Filter strengths...
At the heart of the Seven5 Filter System, this small, lightweight, precision-engineered filter holder has been specifically designed for today’s mirrorless and compact system cameras. It can take 2 filters...
The Seven5 Filter System features its own circular-type polarising filter. The unique clip-on design means it can be snapped onto the front of the holder and rotated independently of any...
The Seven5 Big Stopper is a long exposure filter that reduces the amount of light entering your lens by ten stops. By greatly extending exposure times, the Big Stopper has...
The Seven5 Little Stopper is a Long Exposure filter that reduces the light entering your lens by six stops. It is ideal for those low-light conditions at the beginning and end of the day...
The Super Stopper is a long exposure filter that reduces the light entering your lens by 15 stops. It gives the photographer an opportunity to shoot during the middle of...
A set of 3 Neutral Density Graduated filters for the Seven5 system, with a hard edge transition. Ideal for photography where you have a definite horizon and some sky in the image....
A set of 3 Neutral Density Graduated filters for the Seven5 system, with a medium edge transition. The perfect all-rounders for general landscape photography, these Medium edge grads will improve your images in most...
A set of 3 Neutral Density Graduated filters for the Seven5 system, with a soft edge transition. Ideal for photography under canopies in woodland or where you have no definite horizon. Filter strengths are...
This special adaptor ring allows you to fix the LEE100 filter holder to the Canon 17mm TS-E lens. This ring has been specifically designed to fit this popular tilt and shift...
This LEE100 82mm wide angle adaptor ring has an extended thread to specifically fit the Fuji GF23mm, which will not take the normal 82mm wide ring. Can also be used...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
SW150 Screw-In Lens Adaptors allow the SW150 System to be used on many different lenses, not just ultra-wideangle. This enables you to use your SW150 filters across your lens collection. This...
SW150 Screw-In Lens Adaptors allow the SW150 System to be used on many different lenses, not just ultra-wideangle. This enables you to use your SW150 filters across your lens collection. This...
SW150 Screw-In Lens Adaptors allow the SW150 System to be used on many different lenses, not just ultra-wideangle. This enables you to use your SW150 filters across your lens collection. This...
SW150 Screw-In Lens Adaptors allow the SW150 System to be used on many different lenses, not just ultra-wideangle. This enables you to use your SW150 filters across your lens collection. This...
SW150 Screw-In Lens Adaptors allow the SW150 System to be used on many different lenses, not just ultra-wideangle. This enables you to use your SW150 filters across your lens collection. This...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
The SW150 Mark II Holder fits via a SW150 Lens Adaptor that has been specifically designed for that particular ultra-wideangle lens (the adaptor is purchased separately from the filter holder). This adaptor...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE Filters System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
This is a special LEE100 System adaptor ring for Nikon PC NIKKOR 19mm f/4E ED Tilt-Shift lens. This ring has been specifically designed to fit this popular lens. The adaptor...
The LEE85 Super Stopper is a long exposure filter that reduces the amount of light entering your lens by 15 stops. The Super Stopper works well in harsh midday sunlight...
The LEE85 Big Stopper is a long exposure filter that reduces the amount of light entering your lens by ten stops. By greatly extending exposure times, the Big Stopper has...
The LEE85 Little Stopper is a Long Exposure filter that reduces the light entering your lens by six stops. It is ideal for those low-light conditions at the beginning and...
A set of 3 Neutral Density Graduated filters for the LEE85 System, with a soft edge transition. Ideal for photography under canopies in woodland or where you have no definite...
A set of 3 Neutral Density Graduated filters for the LEE85 system, with a medium edge transition. The perfect all-rounders for general landscape photography, these Medium edge grads will...
A set of 3 Neutral Density Graduated filters for the LEE85 system, with a hard edge transition. Ideal for photography where you have a definite horizon and some sky in...
The LEE85 Neutral Density 0.3 (1 stop) Soft Grad has a smooth gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE85 Neutral Density 0.6 (2 stop) Soft Grad has a smooth gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE85 Neutral Density 0.9 (3 stop) Soft Grad has a smooth gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE85 Neutral Density 0.3 (1 stop) Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE85 Neutral Density 0.6 (2 stop) Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE85 Neutral Density 0.9 (3 stop) Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE85 Neutral Density 0.3 (1 stop) Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE Neutral Density 0.6 (2 stop) Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE85 Neutral Density 0.9 (3 stop) Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE85 Reverse 0.6 (2 stop) ND has been specifically designed to give photographers full control over images shot at the beginning and end of the day. They have a...
The LEE85 Reverse 0.9 (3 stop) ND has been specifically designed to give photographers full control over images shot at the beginning and end of the day. They have a...
The LEE85 Reverse 1.2 (4 stop) ND has been specifically designed to give photographers full control over images shot at the beginning and end of the day. They have a...
The LEE85 Neutral Density 0.6 (2 stop) Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any...
The LEE85 Neutral Density 0.9 (3 stop) Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
The LEE85 Polariser is thin and lightweight, designed to make attaching and using a polarising filter quick and simple. Constructed using a lightweight, high-transmission polariser glass, with a subtle warm...
The LEE100 0.3 (1 Stop) Neutral Density Soft Grad has a smooth gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE100 0.3 (1 Stop) Neutral Density Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE100 0.6 (2 Stop) Neutral Density Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE100 0.9 (3 Stop) Neutral Density Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE100 0.9 (3 Stop) Neutral Density Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The LEE100 Reverse 0.6 (2 stop) Neutral Density Grad has been specifically designed to give photographers full control over images shot at the beginning and end of the day. They...
The LEE100 Reverse 0.9 (3 stop) Neutral Density Grad has been specifically designed to give photographers full control over images shot at the beginning and end of the day. They...
The LEE100 0.6 (2 Stop) Neutral Density Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any...
The LEE100 ProGlass IRND (6 Stop) sets a whole new standard in high quality glass neutral density filters. These filters are remarkably neutral, with virtually no colour shift and extremely...
The LEE100 ProGlass IRND (10 Stop) sets a whole new standard in high quality glass neutral density filters. These filters are remarkably neutral, with virtually no colour shift and extremely...
The LEE100 ProGlass IRND (15 Stop) sets a whole new standard in high quality glass neutral density filters. These filters are remarkably neutral, with virtually no colour shift and extremely...
The filters in the LEE100 Mist Set are designed to imitate the effects of fog and mist, and are suitable for use either alone or in combination with one another...
The SW150 0.3 (1 Stop) Neutral Density Soft Grad has a smooth gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The SW150 0.6 (2 Stop) Neutral Density Soft Grad has a smooth gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The SW150 0.9 (3 Stop) Neutral Density Soft Grad has a smooth gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The SW150 0.3 (1 Stop) Neutral Density Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The SW150 0.6 (2 Stop) Neutral Density Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The SW150 0.9 (3 Stop) Neutral Density Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The SW150 0.3 (1 Stop) Neutral Density Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The SW150 0.6 (2 Stop) Neutral Density Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The SW150 0.9 (3 Stop) Neutral Density Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The SW150 Reverse 0.6 (2 stop) Neutral Density Grad has been specifically designed to give photographers full control over images shot at the beginning and end of the day. They...
The SW150 0.6 (2 Stop) Neutral Density Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any...
The SW150 0.9 (2 Stop) Neutral Density Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any...
The SW150 ProGlass IRND (10 Stop) sets a whole new standard in high quality glass neutral density filters. These filters are remarkably neutral, with virtually no colour shift and extremely...
The SW150 ProGlass IRND (15 Stop) sets a whole new standard in high quality glass neutral density filters. These filters are remarkably neutral, with virtually no colour shift and extremely...
LEE Quick Location Lighting Gel Pack. The Quick Location Pack contains a selection of our most popular and functional filters. CTO to convert daylight to tungsten, CTB to convert tungsten...
LEE Master Location Lighting Gel Pack. The Master Location Pack contains practically everything you need to handle any lighting situation. CTO to convert daylight to tungsten, CTB to convert tungsten...
The Seven5 Hood has been designed to snap easily to the front of the Filter Holder, and will shade the lens when you are out and about, which is particularly...
The Seven5 0.3 (1 Stop) Neutral Density Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any...
The Seven5 0.3 (1 Stop) Neutral Density Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The Seven5 0.3 (1 Stop) Neutral Density Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The Seven5 0.3 (1 Stop) Neutral Density Soft Grad has a smooth gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The Seven5 0.6 (2 Stop) Neutral Density Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any...
The Seven5 0.6 (2 Stop) Neutral Density Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The Seven5 0.6 (2 Stop) Neutral Density Soft Grad has a smooth gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The Seven5 0.9 (3 Stop) Neutral Density Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any...
The Seven5 0.9 (3 Stop) Neutral Density Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The Seven5 0.9 (3 Stop) Neutral Density Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The Seven5 Reverse 0.9 (3 stop) Neutral Density Grad has been specifically designed to give photographers full control over images shot at the beginning and end of the day. They...
The Seven5 Solar Eclipse Filter brings the exposure range down to manageable levels when shooting solar events. SAFETY INFORMATION - NEVER look directly at the sun, even through the filter....
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
LEE 251 Quarter White Diffusion Lighting Gel. A weak diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths. Full technical specifications...
LEE 129 Heavy Frost Lighting Gel. A strong diffusion that eliminates nearly all shadows. Flame retardant. Full technical specifications for 129 Heavy Frost can be found here. Manufactured in the...
LEE 209 .3ND 1 Stop Neutral Density Lighting Gel. Reduces light 1 stop, without changing colour. Full technical specifications for 209 .3ND can be found here Manufactured in the following...
LEE 211 .9ND 3 Stop Neutral Density Lighting Gel. Reduces light 3 stops, without changing colour. Full technical specifications for 211 .9ND can be found here Manufactured in the following...
Converts tungsten (3200K) to photographic daylight (5700K). Full technical specifications for 201 Full C.T. Blue can be found here. Manufactured in the following sizes; Half Sheet - 0.53m x 0.61m...
LEE 203 Quarter C.T.Blue Lighting Gel. Converts tungsten (3200K) to daylight (3600K). Full technical specifications for 203 Quarter C.T. Blue can be found here. Manufactured in the following sizes; Half...
LEE 204 Full C.T.Orange Lighting Gel. Converts daylight (6500K) to tungsten light (3200K). Full technical specifications for 204 Full C.T. Orange can be found here Manufactured in the following sizes;...
LEE 205 Half C.T.Orange Lighting Gel. Converts daylight (6500K) to tungsten light (3800K) Full technical specifications for 205 Half C.T. Orange can be found here Manufactured in the following sizes;...
LEE 106 Primary Red Lighting Gel. Strong red effect. Good with cyclorama lighting. Full technical specifications for 106 Primary Red can be found here Manufactured in the following sizes; Half...
LEE 117 Steel Blue Lighting Gel. Good for cool washes. Adds a pale green tint. Great for emulating icy weather on stage. Full technical specifications for 117 Steel Blue can...
LEE 119 Dark Blue Lighting Gel. Good for mood effects created by backlighting and side lighting. Creates great contrast. Full technical specifications for 119 Dark Blue can be found here...
LEE 132 Medium Blue Lighting Gel. Deep moonlight. Great for colour mixing. Full technical specifications for 132 Medium Blue can be found here. Manufactured in the following sizes; Half Sheet...
LEE 115 Peacock Blue Lighting Gel. A pleasing effect on set. Good for cyclorama and backlighting (e.g. ice rinks, galas, etc). Full technical specifications for 115 Peacock Blue can be...
LEE 105 Orange Lighting Gel. Good for light entertainment and functions. Creates a good fire effect when used with 106 or 104. Full technical specifications for 105 Orange can be...
LEE 130 Clear Lighting Gel. Used in animation and projection work. Full technical specifications for 130 Clear can be found here. Manufactured in the following sizes; Half Sheet - 0.53m...
LEE 161 Slate Blue Lighting Gel. A pure medium blue. Good for skies, moonlight and dusk effects. Full technical specifications for 161 Slate Blue can be found here. Manufactured in...
LEE 147 Apricot Lighting Gel. Good for sunrise, sunset and lamplight effects. Full technical specifications for 147 Apricot can be found here. Manufactured in the following sizes; Half Sheet -...
LEE 139 Primary Green Lighting Gel. Good for set lighting and cyclorama lighting. Full technical specifications for 139 Primary Green can be found here. Manufactured in the following sizes; Half...
LEE 239 Polariser Lighting Gel. Made from 0.006" (150 micron) Triacetate. Reduces glare and reflection when used in conjunction with LEE Polarising Camera Filter. Full technical specifications for 239 Polariser...
The Autumn Tint Set makes the most of the rich golds, reds and browns that typify the Autumn season. A unique feature of these filters is that they can be...
The Landscape Set is designed to compliment the landscape, whether rural, suburban or busy city centre. The Real Blue 2 brings intensity to faded skies, while an inverted Straw 3...
LEE 101 Yellow Lighting Gel. Sunlight and window effect - pleasant in acting areas. Full technical specifications for 101 Yellow can be found here Manufactured in the following sizes; Half...
LEE 216 White Diffusion Lighting Gel. A strong diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths. Full technical specifications for...
The LEE100 1.2 (4 Stop) Neutral Density Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across...
LEE 797 Deep Purple Lighting Gel. Used in musical performances for general colour washes and set lighting. Full technical specifications for 797 Deep Purple can be found here Manufactured in the following sizes;...
The LEE100 ProGlass IRND (2 Stop) sets a whole new standard in high quality glass neutral density filters. These filters are remarkably neutral, with virtually no colour shift and extremely...
The LEE100 ProGlass IRND (3 Stop) sets a whole new standard in high quality glass neutral density filters. These filters are remarkably neutral, with virtually no colour shift and extremely...
The LEE100 ProGlass IRND (4 Stop) sets a whole new standard in high quality glass neutral density filters. These filters are remarkably neutral, with virtually no colour shift and extremely...
The SW150 ProGlass IRND (2 Stop) sets a whole new standard in high quality glass neutral density filters. These filters are remarkably neutral, with virtually no colour shift and extremely...
The SW150 ProGlass IRND (3 Stop) sets a whole new standard in high quality glass neutral density filters. These filters are remarkably neutral, with virtually no colour shift and extremely...
The SW150 ProGlass IRND (4 Stop) sets a whole new standard in high quality glass neutral density filters. These filters are remarkably neutral, with virtually no colour shift and extremely...
The LEE100 0.45 (1.5 Stop) Neutral Density Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any...
LEE 122 Fern Green Lighting Gel. Good for cycloramas and creates a great mood effect. Full technical specifications for 122 Fern Green can be found here Manufactured in the following sizes;...
ClearLEE Filter Wash in this economic 300ml trigger pack, when combined with the ClearLEE Filter Cloth (available separately) gives you everything you need in order to safely clean your filters....
The ClearLEE Filter Cleaning Cloth, when used with ClearLEE Filter Wash (available separately), will help ensure that your filters are always clean and ready for use. A dirty filter...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
Our Zircon Filters have been specifically designed to fine-tune the inconsistencies often associated with LED lighting. LED lighting has many benefits, but one of its stumbling blocks is that its...
LEE 770 Burnt Yellow Lighting Gel. A colour that feels warm and dense on camera, a balance between 179 and 105. Full technical specifications for 770 Burnt Yellow can be found...
LEE 795 Magical Magenta Lighting Gel. Rich mixture of red and pinks. Full technical specifications for 795 Magical Magenta can be found here Manufactured in the following sizes; Half Sheet -...
LEE 354 Special Steel Blue Lighting Gel. A cooling blue-green wash for stage and set lighting. Full technical specifications for 354 Special Steel Blue can be found here Manufactured in the...
LEE 366 Cornflower Lighting Gel. Great for moonlight and seasonal mood lighting. Full technical specifications for 366 Cornflower can be found here Manufactured in the following sizes; Half Sheet -...
LEE 256 Half Hampshire Frost Lighting Gel. Extra light frost effect. Diffuses light reducing contrast between highlight areas. Full technical specifications for 256 Half Hampshire Frost can be found here...
LEE 252 Eighth White Diffusion Lighting Gel. A weak diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths. Full technical specifications...
LEE 299 1.2ND, Neutral Density polyester lighting gel. Reduces light by 4 stops, without changing colour. Full technical specifications for 299 1.2ND can be found here Available in the following sizes; Half Sheet...
LEE 121 LEE Green Lighting Gel. Good for dense foliage, tropical jungle or woodland effect. Full technical specifications for 121 LEE Green can be found here Manufactured in the following...
LEE 250 Half White Diffusion Lighting Gel. A medium diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths. Full technical specifications...
LEE 287 Double C.T.Orange Lighting Gel. Converts daylight (6500K) to tungsten (2147K). Full technical specifications for 287 Double C.T.Orange can be found here Manufactured in the following sizes; Half Sheet -...
LEE 253 Hampshire Frost Lighting Gel. A light frost effect. Full technical specifications for 253 Hampshire Frost can be found here The LEE Filters Diffusion Index (LDI) can be found here...
LEE 154 Pale Rose Lighting Gel. Good for a pleasing effect for theatrical lighting. Creates a good lamplight effect. Full technical specifications for 154 Pale Rose can be found here. Manufactured in...
LEE 713 J.Winter Blue Lighting Gel. A very dark blue with a high UV content. Good when used in high concentrations for a moody and powerful stage colour wash. Full...
LEE 327 Forest Green Lighting Gel. A deep green for sinister forest scenes, cycloramas and backlighting. Full technical specifications for 327 Forest Green can be found here Manufactured in the...
LEE 353 Lighter Blue Lighting Gel. Good for daylight effects. Full technical specifications for 353 Lighter Blue can be found here Manufactured in the following sizes; Half Sheet - 0.53m x...
The SW150 1.2 (4 Stop) Neutral Density Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
The SW150 1.2 (4 Stop) Neutral Density Medium Grad has a moderate gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure...
LEE 131 Marine Blue Lighting Gel. Good for romantic moonlight. Often used in ballet and underwater scenes. Full technical specifications for 131 Marine Blue can be found here. Manufactured in the...
LEE 200 Double CT Blue Lighting Gel. Converts tungsten (3200K) to daylight (26000K) Full technical specifications for 200 Double CT Blue can be found here Manufactured in the following sizes; Half...
LEE 218 Eighth C.T.Blue Lighting Gel. Converts tungsten (3200K) to daylight (3400K) Full technical specifications for 218 Eighth C.T.Blue can be found here Manufactured in the following sizes; Half Sheet -...
LEE 148 Bright Rose Lighting Gel. Great for fire effects and musicals. Full technical specifications for 148 Bright Rose can be found here, Manufactured in the following sizes; Half Sheet...
LEE 135 Deep Golden Amber Lighting Gel. A great fire effect. Full technical specifications for 135 Deep Golden Amber can be found here. Manufactured in the following sizes; Half Sheet -...
LEE 750 Durham Frost Lighting Gel. A frost that almost completely softens shutter edges and removes hot spots. Full technical specifications for 750 Durham Frost can be found here The...
LEE 707 Ultimate Violet Lighting Gel. Used in musical performances for general colour washes and set lighting. Full technical specifications for 707 Ultimate Violet can be found here Manufactured in...
LEE 735 Velvet Green Lighting Gel. A beautiful background colour. Victorian melodrama. A night time green. Full technical specifications for 735 Velvet Green can be found here Manufactured in the...
LEE 729 Scuba Blue Lighting Gel. Used in musical performances for a rear colour wash or set lighting. Full technical specifications for 729 Scuba Blue can be found here Manufactured in...
LEE 789 Blood Red Lighting Gel. For a deep saturated red effect. Used when a strong vivid red effect is required. Full technical specifications for 789 Blood Red can be found...
LEE 764 Sun Colour Straw Lighting Gel. Adds warmth, bright sunlight. Full technical specifications for 764 Sun Colour Straw can be found here Manufactured in the following sizes; Half Sheet...
Adaptor Rings are a simple but important element of the LEE System, enabling the same holder and filters to be used with different lenses. Simply screw it onto the lens...
LEE 027 Medium Red Lighting Gel. Good for cyclorama lighting, side lighting and footlights. Also good for colour mixing. Full technical specifications for 027 Medium Red can be found here Manufactured...
LEE 709 Electric Lilac Lighting Gel. Provides good colour rendering which creates a sharp edge, adding a touch of drama. Full technical specifications for 709 Electric Lilac can be found here...
LEE 159 No Colour Straw Lighting Gel. A warm effect. Sunlight. Full technical specifications for 159 No Colour straw can be found here. Manufactured in the following sizes; Half Sheet - 0.53m...
LEE 279 Eighth Minus Green Lighting Gel. Provides very slight correction. Used on lighting to eliminate unwanted green cast created by discharge light sources on film. Full technical specifications for 279...
LEE 278 Eighth Plus Green Lighting Gel. Provides very slight green cast. Used on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting....
LEE 182 Light Red Lighting Gel. Good for theatre and television effect lighting as well as cycloramas. Full technical specifications for 182 Light Red can be found here. Manufactured in the...
LEE 505 Sally Green Lighting Gel. A fresh, light and airy summer green. Under tree canopy light quality without pantomime countryside. Subtle enough to light faces without having to add...
LEE 778 Millennium Gold Lighting Gel. Useful for lighting architecture: it produces a rich amber when used on a tungsten source, or a much cooler effect when used on a...
LEE 442 Half C.T.Straw Lighting Gel. Converts 6500K to 4300K – daylight to tungsten light with a yellow bias. Full technical specifications for 442 Half C.T.Straw can be found here...
LEE 247 LEE Minus Green Lighting Gel. Used on lighting to eliminate unwanted green cast created by discharge light sources on film. Approximately equivalent to CC30 magenta camera filter. Full...
LEE 100 Spring Yellow Lighting Gel. A sunlight wash – use with gobos, disco and dark skin tones. Full technical specifications for 100 Spring Yellow can be found here Manufactured in...
LEE 124 Dark Green Lighting Gel. Good for cycloramas and backlighting. Full technical specifications for 124 Dark Green can be found here. Manufactured in the following sizes; Half Sheet - 0.53m x...
LEE 048 Rose Purple Lighting Gel. Good for emulating evening. Great backlight. Full technical specifications for 048 Rose Purple can be found here Manufactured in the following sizes; Half Sheet -...
LEE 180 Dark Lavender Lighting Gel. A pleasing effect for theatrical lighting and backlighting. Full technical specifications for 180 Dark Lavender can be found here Available in the following sizes; Half...
LEE 765 LEE Yellow Lighting Gel. Useful for producing a strong sunlight effect. Full technical specifications for 765 LEE Yellow can be found here Manufactured in the following sizes; Half Sheet...
LEE 768 Egg Yolk Yellow Lighting Gel. A bold strong chemical yellow, less orange/red than 179 Chrome orange. Full technical specifications for 768 Egg Yolk Yellow can be found here...
LEE 716 Mikkel Blue Lighting Gel. A romantic blue to produce a night effect. Full technical specifications for 716 Mikkel Blue can be found here Manufactured in the following sizes;...
LEE 787 Marius Red Lighting Gel. Nice deep full red. Rose leaf colour. Full technical specifications for 787 Marius Red can be found here Manufactured in the following sizes; Half...
LEE 003 Lavender Tint Lighting Gel. Subtle cool wash for stage and studio lighting. Full technical specifications for 003 Lavender Tint can be found here. Manufactured in the following sizes; Half...
LEE 007 Pale Yellow Lighting Gel. Sunlight effect. Full technical specifications for 007 Pale Yellow can be found here. Manufactured in the following sizes; Half Sheet - 0.53m x 0.61m (21"...
LEE 013 Straw Tint Lighting Gel. Warmer than other straw colours. A good sunlight effect when used in contrast with ambers and blues. Full technical specifications for 013 Straw Tint can...
LEE 002 Rose Pink Lighting Gel. Strong pink wash, good for cycloramas. Full technical specifications for 002 Rose Pink can be found here Manufactured in the following sizes; Half Sheet - 0.53m...
LEE 020 Medium Amber Lighting Gel. Good for afternoon sunlight and candlelight. Also great for side lighting. Full technical specifications for 020 Medium Amber can be found here Manufactured in the following...
LEE 452 Sixteenth White Diffusion Lighting Gel. A weak diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths. Full technical specifications...
LEE 021 Gold Amber Lighting Gel. Great for sunsets, cyclorama lighting and fire effects. Full technical specifications for 021 Gold Amber can be found here Manufactured in the following sizes;...
LEE 793 Vanity Fair Lighting Gel. A rich glamorous pink, good for use on special occasions. Full technical specifications for 793 Vanity Fair can be found here Manufactured in the following...
LEE 022 Dark Amber Lighting Gel. A good backlight. Full technical specifications for 022 Dark Amber can be found here Manufactured in the following sizes; Half Sheet - 0.53m x...
LEE 024 Scarlet Lighting Gel. Great for pantomimes, ballroom sets and fire effects. Full technical specifications for 024 Scarlet can be found here Manufactured in the following sizes; Half Sheet...
LEE 025 Sunset Red Lighting Gel. A good warm stage wash, TV studio wash or sunset effect. Full technical specifications for 025 Sunset Red can be found here Manufactured in...
LEE 026 Bright Red Lighting Gel. A vibrant red, good for cyclorama lighting. Full technical specifications for 026 Bright Red can be found here Manufactured in the following sizes; Half...
LEE 035 Light Pink Lighting Gel. A warm wash good for musical reviews. Full technical specifications for 035 Light Pink can be found here Manufactured in the following sizes; Half...
LEE 036 Medium Pink Lighting Gel. Good for general washes and side lighting. Full technical specifications for 036 Medium Pink can be found here Manufactured in the following sizes; Half...
LEE 068 Sky Blue Lighting Gel. Good for morning skin tones and night skies. Great for cyclorama lights. Full technical specifications for 068 Sky Blue can be found here Manufactured...
LEE 071 Tokyo Blue Lighting Gel. A deep blue, used for midnight scenes and cyclorama lighting. Full technical specifications for 071 Tokyo Blue can be found here Manufactured in the following...
LEE 085 Deeper Blue Lighting Gel. A deep warm blue. Good for back and side lighting. Full technical specifications for 085 Deeper Blue can be found here Manufactured in the following...
LEE 116 Medium Blue-Green Lighting Gel. A pleasing effect for theatrical lighting. Full technical specifications for 116 Medium Blue-Green can be found here Manufactured in the following sizes; Half Sheet -...
LEE 118 Light Blue Lighting Gel. A strong night effect. Full technical specifications for 118 Light Blue can be found here Manufactured in the following sizes; Half Sheet - 0.53m...
LEE 126 Mauve Lighting Gel. Good for backlighting. Dark magenta / purple adds drama and mood. Full technical specifications for 126 Mauve can be found here. Manufactured in the following...
LEE 127 Smokey Pink Lighting Gel. Good for cycloramas, set lighting and discos. Full technical specifications for 127 Smokey Pink can be found here. Manufactured in the following sizes; Half Sheet...
LEE 138 Pale Green Lighting Gel. Good with gobos for wooded scenes. Full technical specifications for 138 Pale Green can be found here. Manufactured in the following sizes; Half Sheet...
LEE 156 Chocolate Lighting Gel. Warms light and reduces the intensity. Full technical specifications for 156 Chocolate can be found here. Manufactured in the following sizes; Half Sheet - 0.53m...
LEE 157 Pink Lighting Gel. Great for dance sequences (useful for softening white costumes without affecting skin tones). Full technical specifications for 157 Pink can be found here. Manufactured in the...
LEE 162 Bastard Amber Lighting Gel. Creates a warm white / warm wash. Good for lamplight effects. Full technical specifications for 162 Bastard Amber can be found here. Manufactured in the...
LEE 164 Flame Red Lighting Gel. Great for fire effects. Full technical specifications for 164 Flame Red can be found here Manufactured in the following sizes; Half Sheet - 0.53m...
LEE 176 Loving Amber Lighting Gel. Used for backlighting and general areas. Great for sunrise effect and warming skin tones. Full technical specifications for 176 Loving Amber can be found...
LEE 181 Congo Blue Lighting Gel. Looks like black light when used with a fluorescent source. Great effect colour. Very saturated. Full technical specifications for 181 Congo Blue can be...
LEE 187 Cosmetic Rouge Lighting Gel. A warm highlight leaning toward apricot, good for warm front light, complimentary to most skin tones, beware of use on pale skin: tends to...
LEE 188 Cosmetic Highlight Lighting Gel. A warm highlight leaning toward amber, good for warm front light, complimentary to most skin tones. Barbara Walters favourite colour! Full technical specifications for...
LEE 192 Flesh Pink Lighting Gel. Good for musical and pantomime key lighting. Full technical specifications for 192 Flesh Pink can be found here Manufactured in the following sizes; Half Sheet -...
LEE 199 Regal Blue Lighting GelA deep lavender blue that strongly enhances skin tones. Full technical specifications for 199 Regal Blue can be found here. Manufactured in the following sizes; Half Sheet...
LEE 219 LEE Fluorescent Green Lighting Gel. General tungsten to fluorescent correction for use when fluorescent colour temp is unknown, to provide medium correction. Full technical specifications for 219 LEE Fluorescent...
LEE 243 LEE Fluorescent 3600 Kelvin Lighting Gel. Converts tungsten to fluorescent light of 3600K (warm white). Full technical specifications for 243 LEE Fluorescent 3600 Kelvin can be found here Manufactured...
LEE 736 Twickenham Green Lighting Gel. A powerful green with depth, for music or light entertainment. Full technical specifications for 736 Twickenham Green can be found here Manufactured in the...
LEE 137 Special Lavender Lighting Gel. Good for moonlight and musical / romantic scenes. Enhances skin tones. Full technical specifications for 137 Special Lavender can be found here. Manufactured in...
LEE 416 Three Quarter White Diffusion Lighting Gel. A strong to medium diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths. Full...
LEE 079 Just Blue Lighting Gel. A good colour mixing blue. Great for cyclorama lighting. Full technical specifications for 079 Just Blue can be found here Manufactured in the following sizes; Half...
LEE 343 Special Medium Lavender Lighting Gel. Good for theatre and T.V. effect lighting and backlighting. Full technical specifications for 343 Special Medium Lavender can be found here Manufactured in the following...
LEE 420 Light Opal Frost Lighting Gel. A weak diffusion similar to Opal Frost, but less diffuse. Manufactured on a 36 micron polyester base. Full technical details for 420 Light...
LEE 004 Medium Bastard Amber Lighting Gel. Naturally enhances skin tones. Full technical specifications for 004 Medium Bastard Amber can be found here Manufactured in the following sizes; Half Sheet -...
LEE 008 Dark Salmon Lighting Gel. Enhances dark skin tones, sunsets, ballroom sets. Full technical specifications for 009 Dark Salmon can be found here Manufactured in the following sizes; Half Sheet -...
LEE 015 Deep Straw Lighting Gel. A warm amber light. Good for effects such as candlelight and fire. Full technical specifications for 015 Deep Straw can be found here Manufactured in the following...
LEE 017 Surprise Peach Lighting Gel. Good for skin tones and creating a moody lighting effect. Full technical specifications for 017 Surprise Peach can be found here Manufactured in the following sizes; Half...
LEE 019 Fire Lighting Gel. A strong red/amber. Great for fire effects. Full technical specifications for 019 Fire can be found here Manufactured in the following sizes; Half Sheet - 0.53m x 0.61m...
LEE 029 Plasa Red Lighting Gel. Good for fire effects, musicals and cycloramas. Full technical specifications for 029 Plasa Red can be found here Manufactured in the following sizes; Half Sheet - 0.53m x...
LEE 738 Jas Green Lighting Gel. A rich yellowish green. Useful as a concert stage wash where darker skin tone, costume and set are a consideration. Full technical specifications for 738 Jas...
LEE 255 Hollywood Frost Lighting Gel. A light frost effect that softens edges. Full technical specifications for 255 Hollywood Frost can be found here The LEE Filters Diffusion Index (LDI) can be found...
LEE 272 Soft Gold Reflector Roll. Produces soft reflection. White backed. LEE Reflectors are used to bounce light with either a hard or soft reflection. These reflectors are ideal for filling...
LEE 142 Pale Violet Lighting Gel. Great Moonlight effect. Good for cyclorama lighting and highlighting foliage on plants. Full technical specifications for 142 Pale Violet can be found here Manufactured in...
LEE 767 Oklahoma Yellow Lighting Gel. A rich blend of bright sunshine and warm ochre overtones. Full technical specifications for 767 Oklahoma Yellow can be found here Manufactured in the following sizes;...
LEE 508 Midnight Maya Lighting Gel. A rich, sultry blue. Like Congo Blue, but allowing greater light transmission so more maintenance friendly – fewer gel changes. Full technical specifications for 508 Midnight...
LEE 702 Special Pale Lavender Lighting Gel. A cold lavender when used with a full tungsten source, but warms as the source is dimmed. Good as a fill for slow sunset...
LEE 400 LEELux Diffusion Lighting Gel. A dense white diffuser used for wide beam spreads; creates an even, soft, field of light without shadows. Manufactured on a 125 micron polyester base....
LEE 046 Dark Magenta Lighting Gel. A very strong pink, good for backlighting. Full technical specifications for046 Dark Magenta can be found here Manufactured in the following sizes; Half Sheet - 0.53m...
LEE 049 Medium Purple Lighting Gel. A strong cheerful glow, good for cycloramas and pantomimes. Full technical specifications for 049 Medium Purple can be found here Manufactured in the following sizes; Half Sheet...
LEE 052 Light Lavender Lighting Gel. Good for general areas and side lights. Great for a basic follow spot colour as well as an excellent backlight. Full technical specifications for 052...
LEE 053 Paler Lavender Lighting Gel. A subtle cool wash. Full technical specifications for 053 Paler Lavender can be found here Manufactured in the following sizes; Half Sheet - 0.53m x 0.61m...
LEE 058 Lavender Lighting Gel. An excellent backlight that creates a new dimension. Full technical specifications for 058 Lavender can be found here Manufactured in the following sizes; Half Sheet - 0.53m x...
LEE 061 Mist Blue Lighting Gel. A cool wash good for night scenes. Full technical specifications for 061 Mist Blue can be found here Manufactured in the following sizes; Half Sheet - 0.53m...
LEE 075 Evening Blue Lighting Gel. Good for night scenes and romantic moonlight. Full technical specifications for 075 Evening Blue can be found here Manufactured in the following sizes; Half Sheet - 0.53m...
LEE 088 Lime Green Lighting Gel. Use with gobos for leafy glades. Good for pantomimes, giving a slightly sinister atmosphere. Full technical specifications for 088 Lime Green can be found here Manufactured in...
LEE 089 Moss Green Lighting Gel. Good mood creator. Used with gobos, creates a great foliage effect. Full technical specifications for 089 Moss Green can be found here Manufactured in the following sizes; Half...
LEE 102 Light Amber Lighting Gel. A warm yellow colour. Great for candlelight or warm bright sunlight effects. Full technical specifications for 102 Light Amber can be found here. Manufactured in...
LEE 104 Deep Amber Lighting Gel. Good for sunlight effect, accents and side light. Be careful of skin tones under the reddish tint of this colour. Full technical specifications for 104 Deep...
LEE 107 Light Rose Lighting Gel. Good for general washes and followspots. Full technical specifications for 107 Light Rose can be found here. Manufactured in the following sizes; Half Sheet - 0.53m x...
LEE 108 English Rose Lighting Gel. Warm tint wash. Dark flesh tones and softer skin tones. Full technical specifications for 107 English Rose can be found here. Manufactured in the following sizes;...
LEE 109 Light Salmon Lighting Gel. Interesting backlight. Full technical specifications for 109 Light Salmon can be found here. Manufactured in the following sizes; Half Sheet - 0.53m x 0.61m (21" x...
LEE 110 Middle Rose Lighting Gel. Pleasing effects for theatrical lighting. Full technical specifications for 110 Middle Rose can be found here Manufactured in the following sizes; Half Sheet - 0.53m x...
LEE 113 Magenta Lighting Gel. Very strong – used carefully for small areas on set. Full technical specifications for 113 Magenta can be found here Manufactured in the following sizes; Half Sheet...
LEE 120 Deep Blue Lighting Gel. A pleasing effect for theatrical lighting. Full technical specifications for 120 Deep Blue can be found here Manufactured in the following sizes; Half Sheet - 0.53m x...
LEE 128 Bright Pink Lighting Gel. Created for use as backlighting and side lighting. Great for musicals. Full technical specifications for 128 Bright Pink can be found here Manufactured in the following sizes;...
LEE 134 Golden Amber Lighting Gel. Great for emulating a sunset. Also good for side lighting and cyclorama lighting. Full technical specifications for 134 Golden Amber can be found here. Manufactured...
LEE 136 Pale Lavender Lighting Gel. Great for pantomimes and ballroom sets. Also enhances dark skin tones in follow spots. Full technical specifications for 136 Pale Lavender can be found here...
LEE 140 Summer Blue Lighting Gel. Good for light midday sky. Light blue tinted wash. Full technical specifications for 140 Summer Blue can be found here Manufactured in the following sizes; Half...
LEE 430 Grid Cloth Diffusion Filter is a waterproof textile/fabric specifically designed for use in theatres, TV studios, on film sets and for photographic lighting. These filters are designed to soften...
LEE 432 Light Grid Cloth Diffusion Filter is a waterproof textile/fabric specifically designed for use in theatres, TV studios, on film sets and for photographic lighting. These filters are designed to...
LEE 434 Quarter Grid Cloth Diffusion Filter is a waterproof textile/fabric specifically designed for use in theatres, TV studios, on film sets and for photographic lighting. These filters are designed to...
LEE 460 Quiet Grid Cloth Diffusion Filter is a textile/fabric specifically designed for use in theatres, TV studios, on film sets and for photographic lighting. These filters are designed to soften...
LEE 462 Quiet Light Grid Cloth Diffusion Filter is a textile/fabric specifically designed for use in theatres, TV studios, on film sets and for photographic lighting. These filters are designed to...
LEE 464 Quiet Quarter Grid Cloth Diffusion Filter is a textile/fabric specifically designed for use in theatres, TV studios, on film sets and for photographic lighting. These filters are designed to...
Used on lighting to eliminate unwanted green cast created by discharge light sources on film. Approximately equivalent to CC15 magenta camera filter. Full technical specifications for 248 LEE Half Minus...
LEE 798 Chrysalis Pink Lighting Gel. A new deeper lavender with a dash of rose blusher. Full technical specifications for 798 Chrysalis Pink can be found here Manufactured in the following...
LEE 143 Pale Navy Blue Lighting Gel. Great moonlight / night effect. Full technical specifications for 143 Pale Navy Blue be found here. Manufactured in the following sizes; Half Sheet - 0.53m x 0.61m...
LEE 144 No Colour Blue Lighting Gel. A clean blue with hints of green. Good for moonlight and sidelight. Full technical specifications for 144 No Colour Blue can be found here. Manufactured in the following...
LEE 151 Gold Tint Lighting Gel. A pleasing effect for theatrical lighting. Full technical specifications for 151 Gold Tint can be found here. Manufactured in the following sizes; Half Sheet - 0.53m x...
LEE 152 Pale Gold Lighting Gel. Used with interior lighting to enhance skin tones. Full technical specifications for 152 Pale Gold can be found here. Avaialble in the following sizes; Half Sheet...
LEE 153 Pale Salmon Lighting Gel. Good for backlighting in conjunction with white light. Full technical specifications for 153 Pale Salmon can be found here. Manufactured in the following sizes; Half Sheet - 0.53m x...
LEE 158 Deep Orange Lighting Gel. A great fire effect. Full technical specifications for 158 Deep Orange can be found here. Manufactured in the following sizes; Half Sheet - 0.53m x 0.61m (21"...
LEE 165 Daylight Blue Lighting Gel. Great for moonlight effect. Full technical specifications for 165 Daylight Blue can be found here. Manufactured in the following sizes; Half Sheet - 0.53m x 0.61m (21" x...
LEE 169 Lilac Tint Lighting Gel. A pale lavender. Good for almost white light with a cool tint. Full technical specifications for 169 Lilac Tint can be found here. Manufactured in the following...
LEE 174 Dark Steel Blue Lighting Gel. Great for set lighting. Creates good moonlight shadows. Full technical specifications for 174 Dark Steel Blue can be found here Available in the...
LEE 183 Moonlight Blue Lighting Gel. Good for moonlight effect and cycloramas. Full technical specifications for 183 Moonlight Blue can be found here. Manufactured in the following sizes; Half Sheet - 0.53m...
LEE 186 Cosmetic Silver Rose Lighting Gel. A warm highlight, leaning towards pink. Brings out pink pigment in skin tones Full technical specifications for 186 Cosmetic Silver Rose can be...
LEE 191 Cosmetic Aqua Blue Lighting Gel. A cool highlight leaning towards blue, good for cool front light. Full technical specifications for 191 Cosmetic Aqua Blue can be found here. Manufactured in the...
LEE 194 Surprise Pink Lighting Gel. Good for musicals. Full technical specifications for 194 Surprise Pink can be found here. Manufactured in the following sizes; Half Sheet - 0.53m x 0.61m (21" x...
LEE 195 Zenith Blue Lighting Gel. Creates a good moonlight effect on a dark set. Also good for cycloramas. Full technical specifications for 195 Zenith Blue can be found here. Available in the...
LEE 197 Alice Blue Lighting Gel. Great for cyclorama lighting and creating deep blue skies cyclorama cycloramas. Full technical specifications for 197 Alice Blue can be found here. Available in the...
LEE 198 Palace Blue Lighting Gel. Good for dark moonlight or a romantic evening. Full technical specifications for 198 Palace Blue can be found here. Manufactured in the following sizes; Half Sheet -...
LEE 207 Full C. T. Orange + 0.3ND Lighting Gel. Converts daylight (6500K) to tungsten (3200K) and reduces light 1 stop. Full technical specifications for 207 Full C. T. Orange + 0.3ND...
LEE 208 Full C. T. Orange + .6ND Lighting Gel. Converts daylight (6500K) to tungsten (3200K) and reduces light 2 stops. Full technical specifications for 208 Full C. T. Orange +...
LEE 212 L.C.T. Yellow Lighting Gel. Reduces colour temperature of low carbon arcs to 3200K. Full technical specifications for 212 L.C.T. Yellow can be found here. Manufactured in the following sizes; Half...
LEE 213 White Flame Green Lighting Gel. Corrects white flame carbon arcs by absorbing ultra violet. Full technical specifications for 213 White Flame Green can be found here. Manufactured in the following...
LEE 223 Eighth C. T. Orange Lighting Gel. Converts daylight (6500K) to tungsten light (5550K). Full technical specifications for 223 Eighth C. T. Orange can be found here. Manufactured in the following...
LEE 226 LEE U.V. Lighting Gel. Transmission of less than 50% at 410nms. Full technical specifications for 226 LEE U.V. can be found here. Available in the following sizes; Half Sheet -...
LEE 232 Super Correction W.F. Green to Tungsten Lighting Gel. Converts white flame arc to 3200K, for use with Tungsten film. Full technical specifications for 232 Super Correction W.F. Green to...
LEE 236 H.M.I. (to Tungsten) Lighting Gel. Converts HMI to 3200K, for use with Tungsten film. Full technical specifications for 236 H.M.I. (to Tungsten) can be found here. Manufactured in the following...
LEE 237 C.I.D. (to Tungsten) Lighting Gel. Converts CID to 3200K, for use with Tungsten film. Full technical specifications for 237 C.I.D. (to Tungsten) can be found here. Manufactured in the...
LEE 241 LEE Fluorescent 5700 Kelvin Lighting Gel. Converts tungsten to fluorescent light of 5700K (cool white/daylight). Full technical specifications for 241 LEE Fluorescent 5700 Kelvin can be found here. Available...
LEE 242 LEE Fluorescent 4300 Kelvin Lighting Gel. Converts tungsten to fluorescent light of 4300K (white). Full technical specifications for 242 LEE Fluorescent 4300 Kelvin can be found here. Available in...
LEE 228 Brushed Silk Lighting Gel. Directional soft lighting effect used for scattering light in one direction only. Full technical specifications for 228 Brushed Silk can be found here The LEE Filters...
LEE 229 Quarter Tough Spun Diffusion Filter. Softens light, reduces intensity. Manufactured from non-woven Polyester. Full technical specifications for 229 Quarter Tough Spun can be found here The LEE Filters Diffusion Index...
LEE 264 Three Eighths Tough Spun F/R Diffusion Filter. A non yellowing 3/8 tough spun polyester material. Creates a medium overall diffusion effect, softens shadows but leaves the beam intact. Flame...
LEE 265 Quarter Tough Spun F/R Diffusion Filter. A non yellowing 1/4 tough spun polyester material. Creates a weak overall diffusion effect, softens shadows but leaves the beam intact. Flame...
LEE 270 LEE Scrim Perforated Reflector. A perforated reflector producing a very soft reflection. Silver on one side and black on reverse. The silver side can be used to bounce light...
LEE 275 Black Scrim Perforated Reflector. A flexible perforated material that is black on both sides. Can be used on windows to reduce light intensity, without causing any unwanted reflections, made from...
LEE 271 Mirror Silver Reflector Roll. Produces hard reflection. White backed. LEE Reflectors are used to bounce light with either a hard or soft reflection. These reflectors are ideal for filling...
LEE 274 Mirror Gold Reflector Roll. Produces hard reflection. White backed. LEE Reflectors are used to bounce light with either a hard or soft reflection. These reflectors are ideal for filling...
LEE 224 Daylight Blue Frost Lighting Gel. Used for soft light effects with the addition of 201 Full CTB. Full technical specifications for 224 Daylight Blue Frost can be found here ...
LEE 225 LEE Neutral Density Frost Lighting Gel. Used for soft light effects with the addition of 0.6 Neutral Density. Full technical specifications for 225 LEE Neutral Density ND Frost can...
LEE 257 Quarter Hampshire Frost Lighting Gel. Extra light frost effect. Diffuses light reducing contrast between highlight areas. Full technical specifications for 257 Quarter Hampshire Frost can be found here...
LEE 258 Eighth Hampshire Frost Lighting Gel. Extra light frost effect. Diffuses light reducing contrast between highlight areas. Full technical specifications for 258 Eighth Hampshire Frost can be found here...
LEE 650 Industry Sodium Lighting Gel. Used on tungsten to blend with sodium light. Full technical specifications for 650 Industry Sodium can be found here. Manufactured in the following sizes; Half Sheet...
LEE 601 Silver Lighting Gel. a Silver-Grey light at full power, dims through lavender-Grey then warm brown-grey. Good for creating intense darkness on stage whilst being useful. Full technical specifications...
LEE 602 Platinum Lighting Gel. The 602 Platinum lighting gel from LEE Filters produces a dazzling grey light with a slight red bias at full power. Good for effect lighting. Full...
LEE 776 Nectarine Lighting Gel. Romantic sunset. Period pieces. Full technical specifications for 776 Nectarine can be found here Manufactured in the following sizes; Half Sheet - 0.53m x 0.61m (21"...
LEE 777 Rust Lighting Gel. A vivid rust colour effect. Full technical specifications for 777 Rust can be found here Manufactured in the following sizes; Half Sheet - 0.53m x 0.61m...
The Solar Eclipse Filter brings the exposure range down to manageable levels when shooting solar events. SAFETY INFORMATION - NEVER look directly at the sun, even through the filter. A solar eclipse...
The Solar Eclipse Filter brings the exposure range down to manageable levels when shooting solar events. SAFETY INFORMATION - NEVER look directly at the sun, even through the filter. A solar eclipse...
The 105mm Accessory Ring from LEE Filters will mount on the front of the LEE Foundation Kit (100mm filter holder) and allows the use of 105mm threaded accessories such as the 105mm Circular...
Original LEE Filters 105mm Landscape Polariser screw-in is designed for the 100mm Foundation Kit holder, 105mm Front holder Accessory ring is required to attach it - found here. The Polariser...
This durable carry/storage pouch has three internal slots to house the new Nikon/NIKKOR Z 14-24 f2.8 S Holder, plus two filter adaptor frames with filters inserted.
Filter Frames not included.
LEE100 slot-in circular polarising filter 100mmx100mm, to cut through reflections and control light.
Also compatible with the Nikon NIKKOR Z 14-24mm f2.8 S Holder kit when inserted into a Standard Filter Frame.
The LEE100 0.6 (2 Stop) Neutral Density Very Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across...
The LEE100 0.9 (3 Stop) Neutral Density Very Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across...
The LEE100 1.2 (4 Stop) Neutral Density Very Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across...
The LEE100 0.3 (1 Stop) Neutral Density Very Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across...
LEE 414 Highlight Flexi Frost Diffusion Gel . A useful diffuser without too much light loss in a thick form. Diffusion characteristics similar to 252. Full technical details for 414 Highlight can...
LEE 450 Three Eighths White Diffusion Lighting Gel. A weak diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths. Full technical...
LEE 244 Plus Green Lighting Gel. Used on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting. Approximately equivalent to CC30 green camera filter. Full...
LEE 245 Half Plus Green Lighting Gel. Used on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting. Approximately equivalent to CC15 green camera filter. Full...
LEE 246 Quarter Plus Green Lighting Gel. Used on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting. Approximately equivalent to CC075 green camera filter....
LEE 794 Pretty n Pink Lighting Gel. Creates warm and soft effects. Full technical specifications for 794 Pretty n Pink can be found here Manufactured in the following sizes; Half Sheet...
LEE 603 Moonlight White Lighting Gel. The 603 Moonlight White lighting gel from LEE Filters produces a pleasant white light at full power that dims down to a warm colour. ...
LEE 642 Half Mustard Yellow Lighting Gel. Half strength Sodium light effect, designed for use with daylight sources. Full technical specifications for 642 Half Mustard Yellow can be found here Manufactured...
LEE 652 Urban Sodium Lighting Gel. Used on tungsten to create the orange glow associated with Sodium light. Full technical specifications for 652 Urban Sodium can be found here Manufactured in...
LEE 248 Half Minus Green Lighting Gel. Used to eliminate unwanted green cast. Full technical specifications for 248 can be found here. Manufactured in the following sizes; Half Sheet -...
LEE 249 Quarter Minus Green Lighting Gel. Used to eliminate an unwanted green cast created by light sources on film. Full technical specifications for 244 Plus Green can be found here. Available...
LEE 704 Lily Lighting Gel. A cool lavender with little red content. Good for romantic evening exteriors. Full technical specifications for 704 Lily can be found here Manufactured in the following...
LEE 269 LEE Heat Shield Lighting Gel. A transparent flexible film used to extend the life of filter. The shield should be placed between the light source and the filter, allowing distance between...
LEE 441 Full C.T. Straw Lighting Gel. Used to convert 6500K to 3200K - Daylight to tungsten light with a yellow bias. Full technical specifications for 441 Full C.T. Straw can...
LEE 283 One and a Half C.T. Blue Lighting Gel. Converts tungsten (3200K) to daylight (8888K). Full technical specifications for 283 One and a Half C.T. Blue can be found here. Available in...
LEE 500 Double New Colour Blue Lighting Gel. Used for dramatic white faces and key light where warmer tones are required. Full technical specifications for 500 Double New Colour Blue...
LEE 285 Three Quarter C.T. Orange Lighting Gel. Converts daylight (6500K) to tungsten light (3600K). Full technical specifications for 285 Three Quarter C.T. Orange can be found here. Available in the following...
LEE 298 .15ND Lighting Gel. Reduces light 1/2 stop, without changing colour. Full technical specifications for 298 .15ND can be found here. Manufactured in the following sizes; Half Sheet - 0.53m x...
LEE 708 Cool Lavender Lighting Gel. For use as a warmer tint without turning yellow and to recreate the colour of fluorescent lighting. Full technical specifications for 708 Cool Lavender can...
LEE 653 LO Sodium Lighting Gel. Used on tungsten to create a Low Pressure Sodium look. Full technical specifications for 653 LO Sodium can be found here Manufactured in the following...
LEE 710 Spir Special Blue Lighting Gel. A cool industrial blue. Full technical specifications for 710 Spir Special Blue Lighting Gel can be found here Manufactured in the following sizes; Half...
LEE 503 Quarter New Colour Blue Lighting Gel. Offers the lightest correction of the new colour blue series. Full technical specifications for 503 Quarter New Blue can be found here. Manufactured...
LEE 504 Waterfront Green Lighting Gel. Used for period key light and modern urban horizons. Full technical specifications for 504 Waterfront Green can be found here. Available in the following sizes; Half...
LEE 711 Cold Blue Lighting Gel. To give a cold/grey HMI effect from a tungsten source. Will also help blend the light when using both tungsten and HMI sources. Full technical...
LEE 712 Bedford Blue Lighting Gel. A smoky warm blue. Good for skin tones. Full technical specifications for 712 Bedford Blue can be found here Manufactured in the following sizes; Half Sheet...
LEE 714 Elysian Blue Lighting Gel. A new deeper version of Alice Blue. Full technical specifications for 714 Elysian Blue can be found here Available in the following sizes; Half Sheet -...
LEE 506 Marlene Lighting Gel. Used as a flattering skin tone filter without the comedy pink. Full technical specifications for 506 Marlene can be found here. Available in the following sizes;...
LEE 507 Madge Lighting Gel. Used to create a saturated orange that is perfect for backlight, instruments and as a part of a sunset palette. Full technical specifications for 507...
LEE 715 Cabana Blue Lighting Gel. A deep blue that still has enough transmission to work encouragingly well on television. Full technical specifications for 715 Cabana Blue can be found here ...
LEE 189 Cosmetic Silver Moss Lighting Gel. A cool highlight leaning towards yellow-green; good for use on mid range skin tones, avoid use on very dark and very pale skin tones....
LEE 217 Blue Diffusion Lighting Gel. As White Diffusion but with the addition of Eighth C.T. Blue Full technical specifications for 217 Blue Diffusion can be found here. Manufactured in the...
LEE 221 Blue Frost Lighting Gel. Used for soft light effects with the addition of 218. Flame retardant. Full technical specifications for 221 Blue Frost can be found here. Available in the following sizes;...
LEE 238 C.S.I. (to Tungsten) Lighting Gel. Converts CSI to 3200K, for use with Tungsten film. Full technical specifications for 238 C.S.I. (to Tungsten) can be found here. Available in the following...
LEE 525 Argent Blue Lighting Gel. LSIs Silver Anniversary colour. Great for a foreboding cold winters night, but allows enough light transmission to be useful for general illuminance too. Full technical...
LEE 550 ALD Gold Lighting Gel. A proper gold to celebrate the 50th Anniversary of the ALD. It maintains its richness as it dims, becoming more molten as the percentage is...
LEE 322 Soft Green Lighting Gel. A cool green used for gobo cover, pantomimes and cycloramas. Full technical specifications for 322 Soft Green can be found here. Manufactured in the following...
LEE 600 – Arctic White Lighting Gel. Creates a brilliant blue-grey light at 100%. Useful as a backlight for special effects. Full technical specifications for 600 Arctic White can be...
LEE 513 Ice And A Slice Lighting Gel. A pale acidic spring yellow. For a sharp white wash. Available in the following sizes; Half Sheet - 0.53m x 0.61m (21" x 24")...
LEE SC30 Special Cyan 30 Lighting Gel. Reduces the red component (600nm-700nm) of light sources by approx. 50% compared to the blue and green wavelengths (400nm-600nm) Available in the following size;...
LEE 604 Full C. T. Eight Five Lighting Gel. Converts daylight to tungsten with a red bias.
Available in the following sizes;
Half Sheet - 0.53m x 0.61m (21" x 24")
LEE 703 Cold Lavender Lighting Gel. A colour that would be great for front / key lighting and that works well with 152 Pale Gold. Full technical specifications for 703 Cold...
LEE 719 Colour Wash Blue Lighting Gel. To allow low intensity tungsten to hold a cold/blue feel. Full technical specifications for 719 Colour Wash Blue Lighting can be found here Available...
LEE 705 Lily Frost Lighting Gel. Smoothes PAR or flood washes of large areas. Useful for houselights and a good colour wash for evening events. Full technical specifications for 705 Lily Frost can be...
LEE 723 Virgin Blue Lighting Gel. This is a pure blue, not too green and not too lavender, yet still feels warm for a blue with an early morning feel. Full...
LEE 724 Ocean Blue Lighting Gel. Useful at low levels of light. Good for dull skies and moonlight. Full technical specifications for 724 Ocean Blue can be found here Available in...
LEE 741 Mustard Yellow Lighting Gel. Spooky when used in haze. Removes some red and blue. Works best with daylight bulbs. Sodium lamp effect. Full technical specifications for 741 Mustard Yellow can be found...
LEE 749 Hampshire Rose Lighting Gel. Combines flesh tone warmer 154 with some Hampshire frost. Full technical specifications for 749 Hampshire Rose can be found here. Available in the following sizes; Half Sheet -...
LEE 791 Moroccan Frost Lighting Gel. Smoothes PAR or flood washes of large areas. Useful for houselights and good for interior colour washes. Full technical specifications for 791 Moroccan Frost can...
LEE 725 Old Steel Blue Lighting Gel. Cool wash, useful for highlights. Full technical specifications for 725 Old Steel Blue can be found here Available in the following sizes; Half Sheet -...
LEE 730 Liberty Green Lighting Gel. A good green for creating mystery and suspense. Full technical specifications for 730 Liberty Lighting Gel can be found here Manufactured in the following sizes;...
LEE 731 Dirty Ice Lighting Gel. Dirtier than 730 Liberty green, more orange, sympathetic with skin tones. Full technical specifications for 731 Dirty Ice can be found here Manufactured in the following...
LEE 733 Damp Squib Lighting Gel. A dirty green, reduces warmth. Good for cross lighting. Full technical specifications for 733 Damp Squib can be found here Manufactured in the following sizes; Half...
LEE 744 Dirty White Lighting Gel. Correct a daylight source to an off white tungsten source. Used with a tungsten source provides a “dingy” effect like a smoky bar. Full technical...
LEE 747 Easy White Lighting Gel. Primarily developed for fluorescents to ensure warm, comfortable light and flattering skin tones. Full technical specifications for 747 Easy White can be found here Available...
LEE 763 Wheat Lighting Gel. Adds warmth, sunlight. Full technical specifications for 763 Wheat can be found here Available in the following sizes; Half Sheet - 0.53m x 0.61m (21" x 24")...
LEE 775 Soft Amber Key 2 Lighting Gel. Used for producing a warm key light colour. Flame retardant. Full technical specifications for 775 Soft Amber Key 2 can be found here Manufactured...
The LEE100 0.45 (1.5 Stop) Neutral Density Very Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across the...
Designed for use with SW150 System Filters. The Filter Wrap is a simple, yet ingenious design. Made from a microfibre cleaning cloth, it holds a single filter and can be...
The SW150 1.2 (4 Stop) Neutral Density Very Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across the...
The SW150 0.3 (1 Stop) Neutral Density Very Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across the...
LEE 179 Chrome Orange Lighting Gel. A combination of 1/2 CTO and double strength 104, perfect for sunlight. Full technical specifications for 179 Chrome Orange can be found here Available...
LEE 706 King Fals Lavender Lighting Gel. A cold lavender. Full technical specifications for 706 King Fals can be found here Manufactured in the following sizes; Half Sheet - 0.53m x...
LEE 170 Deep Lavender Lighting Gel. Great for set lighting, discos and theatres. Full technical specifications for 170 Deep Lavender can be found here. Manufactured in the following sizes; Half Sheet -...
LEE 172 Lagoon Blue Lighting Gel. A floodlit warm wash. Great for underwater scenes and ballet. Full technical specifications for 172 Lagoon Blue can be found here. Available in the following sizes; Half...
LEE 404 Half Soft Frost Roll Lighting Gel. A useful diffuser without too much light loss but very pliable to handle. Diffusion characteristics fall between 251 and 252. Full technical details...
LEE 790 Moroccan Pink Lighting Gel. A rich natural pink, good for producing late afternoon sun effects. Full technical specifications for 790 Moroccan Pink can be found here Manufactured in the following...
LEE 728 Steel Green Lighting Gel. Approaching storms. Overcast days. Cold steely light. Malevolent moonlight. Full technical specifications for 728 Steel Green can be found here. Manufactured in the following sizes; Half...
LEE 501 New Colour Blue Robertson Blu Lighting Gel. Used to provide a lesser green cast for face and key Full technical specifications for 501 New Colour Blue (Robertson Blu)...
LEE 323 Jade Lighting Gel. Used for underwater scenes, cycloramas and backlighting. Full technical specifications for 323 Jade can be found here. Manufactured in the following sizes; Half Sheet - 0.53m...
LEE 328 Follies Pink Lighting Gel. Great for dramatic stage lighting. Full technical specifications for 328 Follies Pink can be found here. Manufactured in the following sizes; Half Sheet -...
LEE 332 Special Rose Pink Lighting Gel. Great for Pantomimes, light entertainment etc. A good strong stage wash. Full technical specifications for 332 Special Rose Pink can be found here. Available in the...
LEE 345 Fuchsia Pink Lighting Gel. Good for musicals, pantomimes and sultry scenes. Full technical specifications for 345 Fuchsia Pink can be found here. Manufactured in the following sizes; Half Sheet...
LEE 352 Glacier Blue Lighting Gel. A cold blue, good for cool atmospheric mood setting. Full technical specifications for 352 Glacier Blue can be found here. Manufactured in the following sizes; Half...
LEE 363 Special Medium Blue Lighting Gel. Great for cool moonlight and mood effects. Full technical specifications for 363 Special Medium Blue can be found here. Manufactured in the following sizes; Half...
LEE SC15 Special Cyan 15 Lighting Gel. Reduces the red component (600nm-700nm) of light sources by approx. 25% compared to the blue and green wavelengths (400nm-600nm) Available in the following...
LEE SC60 Special Cyan 60 Lighting Gel. Reduces the red component (600nm-700nm) of light sources by approx. 75% compared to the blue and green wavelengths (400nm-600nm) Available in the following size;...
LEE 700 Perfect Lavender Lighting Gel. In-between 170 Deep Lavender and 345 Fuchsia Pink, and is good for backlighting and romantic atmospheres. Full technical specifications for 700 Perfect Lavender can be found...